{"id":165,"date":"2016-09-14T21:16:22","date_gmt":"2016-09-14T21:16:22","guid":{"rendered":"https:\/\/fmx211.santiago.bz\/?page_id=165"},"modified":"2017-12-06T20:15:31","modified_gmt":"2017-12-06T20:15:31","slug":"8-%e2%80%a2-performance-art","status":"publish","type":"page","link":"https:\/\/fmx211.santiago.bz\/?page_id=165","title":{"rendered":"8 \u2022 PERFORMANCE"},"content":{"rendered":"

Precursors: Kabuki<\/a> , Onagata<\/a> , Tatsumi Hijikata<\/a> , Butoh<\/a> , Sankai Juku<\/a> #1<\/a> #2<\/a> #3<\/a>, Ko Murobushi<\/a> #2<\/a> , Kazuo Ohno<\/a> #2<\/a> , Carlotta Ikeda<\/a> Dance<\/a> Iki Interactive Machine<\/a><\/p>\n

Vienna Aktionists<\/a> FILMS<\/a>
\nFLUXUS<\/a> Manifesto<\/a> | 37 FILMS<\/a> | AUDIO<\/a> \/ Related Joseph Beuys I <3 USA<\/a> , Filz TV<\/a> , Sonne<\/a> \/ Nam June Paik<\/a> , Charlotte Moorman<\/a> #2<\/a> #3<\/a> , John Cage<\/a> #2<\/a> #4 <\/a> \/ Yoko Ono Cut Piece<\/a><\/p>\n

Marina Abramovic<\/a> & Ulay<\/a> \/\/ The life and Death of Marina Abramovic, Robert Wilson <\/a> #2<\/a> #3<\/a> \/ Pyotr Pavlensky<\/a> \/ Carolee Schneeman<\/a> \/ GUERILLA GIRLS<\/a> \/ MEDIEN GRUPPE Bitnik<\/a><\/p>\n

Gilbert and George<\/a> #1<\/a> #2<\/a> #4<\/a> #5<\/a><\/p>\n

Vito Acconci<\/a>
\nOrlan<\/a>
\nStelarc<\/a> obsolete body<\/a> , Wired article<\/a> \/ Bob Flanagan<\/a><\/p>\n

New Romantics<\/a> , Leigh Bowery<\/a> Wigstock<\/a> , Doffay Gallery Performance<\/a> \/<\/a> Mme Peripetie<\/a><\/p>\n

ACT UP<\/a> \/ Diamanda Galas<\/a> #1<\/a> #2<\/a> #3<\/a> \/ Klaus Nomi<\/a><\/p>\n

Genesis P.Orridge Throbbing Gristle,<\/a> Psychic TV<\/a> , Song<\/a> The Ballad of Genesis and Lady Jaye<\/a> , Interview<\/a> \/ Eva & Adele<\/a> \/ Heather Cassils<\/a> site<\/a> interview<\/a> \/ Davey Wavey<\/a> \/ Petra Flurr<\/a> #2<\/a> \/ Tilda Swinton<\/a> \/ Collette<\/a><\/p>\n

Laurie Anderson<\/a>: Language is a Virus<\/a> – Oh Superman
\n<\/a>
\nBanksy: SITE<\/a> , Exit through the gift shop<\/a> , Paris Hilton<\/a><\/p>\n

Matthew Barney<\/a><\/p>\n

Extreme body modification: Maria Jose Cristerna
\n<\/a>
\nPerformance \/ Installations: Mark Pauline srl.org\u00a0<\/a><\/p>\n

THEATER Wooster Group<\/a> , WooTube<\/a> , John Jessurun<\/a>, Troika Ranch<\/a> #2<\/a> \/<\/p>\n

Flash Mobs: Hallelluya<\/a> , Oprah<\/a> , Frozen Grand Central<\/a> , Banco Sabadell<\/a> \/\/ Kagemu Hitech video performance<\/a> \/\/<\/p>\n

Assignments<\/strong><\/span><\/p>\n

\u2022 Inspired by ANY of the artists mentioned in class, record a 3 minute maximum video of your own performance art piece<\/strong> \/ Topic to be determined and more details to be given in class. No panhandling!<\/b><\/p>\n

\u2022 choose your three favorite performance artists and study how are they related. What do they have in common? Is technology an essential component in their work? Answer also this question “What is to be done” in the field of Performance Art.<\/p>\n

Links<\/strong><\/span><\/p>\n

\u2022 Actions<\/a>
\n\u2022 Performance<\/a>
\n\u2022 New Media<\/a>
\n\u2022 The Human Canvas<\/a>
\n\u2022 Paris is burning<\/a><\/p>\n

Student Examples<\/strong><\/span><\/p>\n

M. Womack<\/a>
\nM. Spiotta<\/a>
\nM. Torrech<\/a>
\nL. Argueta<\/a>
\nF. Erni<\/a>
\nH. Nye<\/a>
\nA. Triscritti<\/a>
\nR. Pollock<\/a>
\nJ. Ponzek<\/a>
\nD. Fusari<\/a>
\nL. Leland<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Precursors: Kabuki , Onagata , Tatsumi Hijikata , Butoh , Sankai Juku #1 #2 #3, Ko Murobushi #2 , Kazuo Ohno #2 , Carlotta Ikeda Dance Iki Interactive Machine Vienna Aktionists FILMS FLUXUS Manifesto | 37 FILMS | AUDIO \/ Related Joseph Beuys I <3 USA , Filz TV , Sonne \/ Nam June Paik … Continue reading “8 \u2022 PERFORMANCE”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-165","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=165"}],"version-history":[{"count":10,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/165\/revisions"}],"predecessor-version":[{"id":394,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/165\/revisions\/394"}],"wp:attachment":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}