{"id":181,"date":"2016-09-14T21:20:38","date_gmt":"2016-09-14T21:20:38","guid":{"rendered":"https:\/\/fmx211.santiago.bz\/?page_id=181"},"modified":"2018-12-05T16:32:39","modified_gmt":"2018-12-05T16:32:39","slug":"10-%e2%80%a2-music","status":"publish","type":"page","link":"https:\/\/fmx211.santiago.bz\/?page_id=181","title":{"rendered":"10 \u2022 MUSIC"},"content":{"rendered":"

The History of Electroacoustic Music<\/span> – Playlist<\/a><\/b><\/p>\n

New Sound of Music Concrete creation\u00a0<\/a><\/strong><\/p>\n

From Concrete to Moog<\/strong>
\nSchaeffer Chemin de Fer 48<\/a> \/ Var\u00e8se<\/a> , Pierre Henry Psych\u00e9 Rock (FUTURAMA THEME)<\/a> \/ Stockhausen MINI DOCUMENTARY,<\/a> Helicopter String Quartet<\/a>\u00a0 \/ Ligeti<\/a> \/ John Cage<\/a> Piano<\/a> Noise<\/a> 4’33”<\/a> \/ Xenakis Mycenae Alpha<\/a> , ScoreLight<\/a> \/ Delia Derbyshire<\/a> – Documentary<\/a> \/\u00a0Bob Moog<\/a>\u00a0,\u00a0Moog Synthetizer<\/a> \/ Gershon Kingsley – Pop Corn<\/a> \u2022 Anarchic System<\/a> \/ Giorgio Moroder<\/a> \/ Nigel Stanford<\/a>: Cymatics<\/a> + Automatica<\/a> \/ The Floppotron<\/a> \/<\/p>\n

POST MODERN CRISIS<\/strong> { Cover culture<\/a> \/ Satisfaction RS<\/a> \u2022 DEVO<\/a> \u2022 BB<\/a> \/ Tainted Love\u00a0Gloria Jones<\/a> – Soft Cell<\/a> – Levi’s<\/a> \/ Take a chance on me\u00a0ABBA<\/a> \u2022 Erasure<\/a> \/ I feel love\u00a0Donna Summer<\/a> \u2022 Bronski Beat<\/a> #2<\/a> \/ Just can’t get enough\u00a0Depeche Mode<\/a> \u2022 Nouvelle Vague<\/a> \/ Common people\u00a0Pulp<\/a> \u2022 William Shatner<\/a> \/ Where the streets have no name\u00a0U2<\/a> – PSB<\/a> }<\/p>\n

Kraftwerk<\/strong> MOMA<\/a> Robots 74<\/a> \u2022 Autobahn 75<\/a><\/p>\n

DISCO<\/strong>: The Salsoul Invention<\/a> \u2022 Bee Gees<\/a> \u2022 Van McCoy<\/a> \u2022 Gloria Gaynor<\/a> \u2022 Patrick Hernandez<\/a> <-> Felix DHCat<\/a> \u2022 Sylvester<\/a><\/p>\n

HOUSE INFLUENCERS<\/strong>: B52s<\/a> , Talking Heads<\/a> #2<\/a> \/ \/ HISTORY OF HOUSE MUSIC<\/strong> : Style Guide: House Part 1 TECHNOLOGY<\/a>, Part 2<\/a> | I was there when House took over the world Part 1<\/a>, Part 2<\/a> | History\u00a0Pt2 (Death of Disco) <\/a>\u00a0||\u00a0\u00a0Roland TR-808<\/a> #1<\/a> #2<\/a> TR808<\/a> \/ The Linn LM-1: the drum machine that changed everything<\/a> \/\u00a0SAMPLING HISTORY<\/a> \/ Frankie Knuckles<\/a> , Juan Atkins<\/a> , Skatt Bros<\/a> , Jesse Saunders<\/a> , Chip E<\/a> , Marshall Jefferson<\/a> , Joe Smooth<\/a> , Ken Ishii<\/a> , Orbital<\/a> , Feedback Max<\/a> , A brief history of Acid House UK<\/a>,\u00a0DMob Aceed<\/a> Cathy Dennis + DMob<\/a> , Armand Van Helden<\/a> , The Orb<\/a> , Happy Mondays<\/a> , Joey Beltram<\/a> , Goldie<\/a> , Lisa Loud<\/a> , Daft Punk<\/a> , Stone Roses<\/a> , Frankie Goes to Hollywood <\/a> , M.A.R.R.S <\/a> , Technotronic <\/a> , Deelite<\/a> , EMF<\/a> , Stereo MCs<\/a> , Soup Dragons<\/a> , Hercules and Love Affair<\/a>: Blind (Antony Hagerty)<\/a>, Do you feel the same<\/a>, I try to talk to you<\/a>, The 2Bears<\/a> #2<\/a><\/p>\n

DUBSTEP<\/strong> Stephen Gurley<\/a> , Menta<\/a> , Benga Vs Scream<\/a> , DJ Abstract<\/a> , El-B<\/a> , Dubstep TV: El-B<\/a> , Digital Mystikz<\/a> , Plastician<\/a> , Skrillex 1<\/a> 2<\/a> \/ DUB FX<\/a> <-> Queen Prophet’s song<\/a> \/ \/ Blackburner<\/a> – site<\/a> \/\/ AWOLNATION<\/a> – Parody<\/a><\/p>\n

HARDCORE<\/strong> Tom Nijuis<\/a> #1<\/a> #2<\/a><\/p>\n

PUNK<\/b> Sex Pistols<\/a> \u2022 Ramones<\/a> \u2022 Ramones<\/a> \u2022 The Clash<\/a> \u2022 Generation X<\/a> \u2022 Charged GBH<\/a> \u2022 Dead Kennedys<\/a> <\/b><\/p>\n

INDUSTRIAL 75 \/ GOTH<\/strong> Throbbing Gristle<\/a> \u2022 Cabaret Voltaire #1<\/a> #2<\/a> \u2022 #3<\/a> \u2022 Einst\u00fcrzende Neubauten<\/a> #2<\/a> \u2022 KMFDM<\/a> : Stray Bullet <\/a>\u2022 Front 242<\/a> \u2022 #2<\/a> \u2022 Nitzer Ebb<\/a> \u2022 Leather Strip<\/a> #2<\/a> Revolting Cocks<\/a> \u2022 Switchblade Symphony<\/a> Alec Empire<\/a> + Atari Teenage Riot<\/a> \u2022 Cleopatra Records<\/a> \u2022 Covenant #1<\/a> #2<\/a> #3<\/a> Full Concert<\/a> \/ \/ Wolfsheim<\/a> – Melotron<\/a> \/ Dangerous Muse<\/a> \/<\/p>\n

NEW WAVE<\/strong> Cure<\/a> \u2022 Siouxsie<\/a> #2<\/a> \u2022 Gary Numan<\/a> \/ Fad Gadget<\/a> \/ Palais Schaumburg<\/a> \/ Liaisons Dangereuses<\/a> Bauhaus<\/a> Love&Rockets<\/a> #2<\/a> Joy Division<\/a> #2<\/a> (Hot Chip<\/a> ) #3<\/a> Facts<\/a> \u2022 New Order<\/a> , New Order (Philippe Decoufl\u00e9)<\/a> Fine Young Cannibals (Philippe Decoufl\u00e9 Choreographer and Director)<\/a> , Bizarre<\/a> <-> String Quartet Tribute<\/a> , Blue Monday<\/a> ( ABOUT <\/a> , \/ Modern English<\/a> Simple Minds<\/a> Echo and the Bunnymen<\/a> Psychedelic Furs<\/a> Eurhythmics<\/a> \u2022 Culture Club<\/a> \u2022 DOA<\/a> \u2022 Smiths<\/a><\/p>\n

NEO PSYCHEDELIA<\/strong> Purple Overdose<\/a> J&M Chain<\/a> \u2022 Stone Roses<\/a><\/p>\n

NINETIES<\/strong> Massive Attack<\/a> \u2022 EBTG<\/a> #2<\/a> – Deep Dish<\/a> \u2022 Placebo<\/a> \u2022 Radiohead<\/a> \u2022 Blur<\/a> \u2022 The Cranberries<\/a> \u2022 The Prodigy<\/a> \u2022 Stereolab<\/a> #2<\/a> \/ Bj\u00f6rk<\/a> #2<\/a> \/ PSB<\/a> #2<\/a> Village People<\/a><\/p>\n

TECHNO<\/strong> Underworld<\/a> \u2022 Fluke<\/a> \/ Faithless<\/a> \u2022 Robert Miles<\/a> \u2022 Delerium<\/a> \u2022 Gorecki<\/a> \/ Opus<\/a> \u2022 The Ones<\/a> \u2022 Startdust<\/a> \u2022 Daft Punk<\/a> \u2022 Slam ft. Dot Allison<\/a><\/p>\n

ELECTRO – CLASH<\/strong> Miss Kittin 1982<\/a> (Frank Sinatra)<\/a> \u2022 Fischerspooner<\/a> \u2022 Felix Da Housecat<\/a> #2<\/a> \u2022 #3<\/a> \u2022 Apoplexie<\/a><\/p>\n

GIRL POWER <\/strong>Blondie<\/a>,\u00a0<\/strong>Joan Jett<\/a> , Wendy O. Williams & The Plasmatics<\/a> , Rita Mitsouko<\/a> #2<\/a> , Peaches<\/a> #1<\/a> #2<\/a> #3<\/a> \u2022 Ladytron<\/a> #2<\/a> #3<\/a> \u2022 Chicks on Speed<\/a> #2<\/a> #3<\/a> #4<\/a> \u2022 Nomi Ruiz – Jessica 6<\/a> Leslie Hall<\/a> #2<\/a> \u2022 Dopplereffekt<\/a> \u2022 Crystal Castles<\/a> #2<\/a> \u2022 Crystal Fighters<\/a> \u2022 Yelle<\/a> \u2022 DB Blvd<\/a> \u2022 Icona Pop<\/a> #2<\/a> \u2022 Cibo Matto<\/a> \u2022 Jessie Ware<\/a> \u2022<\/p>\n

ELECTRONIC – PRODUCER\/DJ CULTURE:\u00a0 <\/strong>How Punk shaped electronic music<\/a> \/ Chemical Brothers<\/a> #2 <\/a> \/ Aphex Twin<\/a> \/ Tiesto <\/a> \/ DeadMau5<\/a> #2<\/a> \u2022 Grammys 12<\/a> \u2022 #2 Carra<\/a> ( Raffaella Carra<\/a> ) New Disco<\/a> #2<\/a> #3<\/a> \u2022 David Guetta<\/a> \u2022 Infected Mushroom<\/a> \u2022 Tomorrowland\u00a0<\/a>\u2022 Avicii<\/a><\/p>\n

LATIN WORLD<\/strong> Gaiteros<\/a> \u2022 Toto la Momposina<\/a> \u2022 RMX<\/a> \u2022 Colombian House<\/a> \u2022 Sidestepper<\/a> \u2022 Pillar Point Dove (VOGUE in Bogota)<\/a> \u2022\u00a0\u00a0La 33<\/a> \u2022 Chocquibtown<\/a> #2<\/a> \u2022 Bomba Estereo<\/a> \u2022 Sayayin<\/a> \u2022 Retrovisor<\/a> \/ \/ Rita Indiana<\/a> (Jupiter & Okwese, Congo<\/a> ) \u2022 Silverio<\/a> \u2022 Plastilina Mosh<\/a> \u2022 Molotov<\/a> \u2022 Sexy Lucy<\/a> #2<\/a> \u2022 Estados Alterados<\/a> \u2022 Alaska y Dinarama<\/a> \/ Fangoria \u2022 <\/a> Moenia<\/a> \u2022 Soda Stereo<\/a> \u2022 Miguel Bose<\/a><\/p>\n

VIRTUAL<\/strong> Vocaloid<\/a> Miku Hatsune<\/a> “live”<\/a> , Gorillaz<\/a> #2\u00a0<\/a>LIVE AVATARS<\/a>\u00a0<\/p>\n

Interactive Musical Applications<\/strong>
\n\u00a0Theremin<\/a>\u00a0\/\/\u00a0<\/strong>Tod Machover<\/a>\u00a0| Imogen Heap<\/a> | Mi.MU Gloves Chagall Performance<\/a> |\u00a0 Sculpting Music with Mi.Mu Gloves<\/a> |<\/p>\n

LINKS<\/b>: The New Sound Of Music Part 1<\/a> \/ Part 2<\/a> \/ Part 3<\/a> \/ Part 4<\/a> \/ Modulations<\/a> \/ History of House Music<\/a> \/ History of Disco #1<\/a> #2<\/a> #3<\/a> \/ Technology: jazzmutant<\/a> – lemur<\/a>\u00a0 \/ \/ 100 years of rock<\/a><\/p>\n

\u2022 BLOG: Considering the grouping I used for this module, choose 5 different music “movements” from the ones listed above and add one group\/musician\/performer to that category, especially related to the usage of technology. Why did you choose this artist? Why do you consider their work fits with technology and electronic music in their context? Post their works and your comments on your blogs.<\/p>\n","protected":false},"excerpt":{"rendered":"

The History of Electroacoustic Music – Playlist New Sound of Music Concrete creation\u00a0 From Concrete to Moog Schaeffer Chemin de Fer 48 \/ Var\u00e8se , Pierre Henry Psych\u00e9 Rock (FUTURAMA THEME) \/ Stockhausen MINI DOCUMENTARY, Helicopter String Quartet\u00a0 \/ Ligeti \/ John Cage Piano Noise 4’33” \/ Xenakis Mycenae Alpha , ScoreLight \/ Delia Derbyshire … Continue reading “10 \u2022 MUSIC”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-181","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=181"}],"version-history":[{"count":11,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/181\/revisions"}],"predecessor-version":[{"id":519,"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=\/wp\/v2\/pages\/181\/revisions\/519"}],"wp:attachment":[{"href":"https:\/\/fmx211.santiago.bz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}